RENUZIT SUBLIMINAL MESSAGE PENIS PHALLIC CAN AIR FRESH TIN LITHO ADVERTISING ART

Description

ORIGINAL RENUZIT FRESHCUT FLOWERS HOME FRAGRANCE SPRAY NEW! FINER SPRAY THE LITHOGRAPH ART ON THE CAN SHOWS VERY CLEARLY THE TOP OF A PENIS PROTRUDING TOWARDS THE BLOSSOM OF A FLOWER. CALL IT WHAT YOU WANT, ITS NOT THAT SUBLIME. DEFINATELY A RISQUE ADVERTISEMENT / AD CAMPAIGN. SOME CONTENTS REMAIN IN THE 8", 7 OUNCE SPRAY AIR FRESHENER. THIS IS ONE FOR THE BOOKS. I WONDER IF THE MAN GOT AHEAD IN THE COMPANY OR GOT THE BOOT?
RENUZIT SUBLIMINAL MESSAGE PENIS PHALLIC CAN AIR FRESH TIN LITHO ADVERTISING ART
RENUZIT SUBLIMINAL MESSAGE PENIS PHALLIC CAN AIR FRESH TIN LITHO ADVERTISING ART
Description
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ORIGINAL RENUZIT
FRESHCUT FLOWERS
HOME FRAGRANCE SPRAY
NEW! FINER SPRAY
THE LITHOGRAPH ART ON THE CAN SHOWS VERY CLEARLY THE TOP OF A PENIS PROTRUDING TOWARDS THE BLOSSOM OF A FLOWER. CALL IT WHAT YOU WANT, ITS NOT THAT SUBLIME.
DEFINITELY
A RISQUE ADVERTISEMENT / AD CAMPAIGN.
SOME CONTENTS REMAIN IN THE 8", 7 OUNCE SPRAY AIR FRESHENER.
THIS IS ONE FOR THE BOOKS.
I WONDER IF THE MARKETER GOT AHEAD IN THE COMPANY OR GOT THE BOOT?
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FYI
A phallus is an erect penis or the mimetic image of an erect penis. Any object that visually resembles a penis or acts as a symbol for it may also be referred to as a phallus; however, such objects are more correctly referred to as being phallic. Such symbols often represent the fertility and cultural implications that are associated with the male sexual organ, as well as the male orgasm.
Etymology
Via Latin, and Greek φαλλ?ς, from Indo-European root *bhel- "to inflate, swell". Compare with Old Norse (and modern Icelandic) boli = "bull", Old English bulluc = "bullock", Greek φαλλ? = "whale".
In physical anatomy
The term phallus refers to the erect male penis. It is sometimes also used to refer to the clitoris of a female, particularly during fetal development before sexual differentiation is evident.
It also refers to the male sexual organ of certain birds, which differs anatomically from a true (i.e. mammalian) penis; see Bird anatomy.
In art
Ancient and modern sculptures of phalloi have been found in many parts of the world, notably among the vestiges of ancient Greece and Rome.
The Hohle phallus, a 28,000-year-old siltstone phallus discovered in the Hohle Fels cave and first assembled in 2005, is among the oldest phallic representations known.
Shakespeare often incorporated phallic symbols into his plays; swords and knives, for example, were phallic symbols representing the masculinity of their wielders.
In religion
In anthropology, phallicism or phallic worship refers to the ritual adoration of the human penis, or the phallus. Elements of phallicism have been found in many cultures, including Ancient Greece, and Sumer.
Ancient India
The Indians don't regard worshipping phallus as it is widely misinterpreted but more generically regard a mark of creation.It is wrong to bring in this topic here.But for proper interpretation please visit Lingam.
Ancient Egypt
The Ancient Egyptians related the cult of phallus with Osiris. When Osiris' body was cut in 14 pieces, Seth scattered them all over Egypt and his family retrieved all of them except one, his penis (see Legend of Osiris and Isis) which was swallowed by a fish.
Phallus was a symbol of fertility and God Min was depicted ithyphallic (with an erect penis).
Ancient Greece
Phallus - shaped column from the sanctuary of Dionysus in DelosIn traditional Greek mythology, Hermes, god of boundaries and exchange (popularly the messenger god) was considered to be a phallic deity by association with representations of him on herms (pillars) featuring a phallus. There is no scholarly consensus on this depiction and it would be speculation to consider Hermes a type of fertility god.
Pan, son of Hermes, was often depicted as having an exaggerated erect phallus.
Priapus was a Greek god of fertility whose symbol was an exaggerated phallus. The son of Aphrodite and either Dionysus or Adonis, according to different forms of the original myth, he was the protector of livestock, fruit plants, gardens, and male genitalia. His name is the origin of the medical term priapism.
Ancient Scandinavia
The Norse god Freyr was a phallic deity, representing male fertility and love.
The short story Völsa þáttr describes a family of Norwegians worshipping a preserved horse penis.
Ancient Rome
Ancient Romans wore phallic jewelry as talismans against the evil eye.
Native America
Figures of Kokopelli in Pre-Columbian America often include phallic content.
Ancient Japan
The Mara Kannon shrine in Nagato city, Yamaguchi prefecture. One of many fertility shrines in Japan that still exist today and also present in festivals such as the Danjiri Matsuri in Kishiwada city, Osaka prefecture though historically phallus adoration was more widespread.
In psychoanalysis
The symbolic version of the phallus, a phallic symbol is meant to represent male generative powers. According to Sigmund Freud's theory of psychoanalysis, while males possess a penis, no one can possess the symbolic phallus. Jacques Lacan's Ecrits: A Selection includes an essay titled The Significance of the Phallus which articulates the difference between "being" and "having" the phallus. Men are positioned as men insofar as they are seen to have the phallus. Women, not having the phallus, are seen to "be" the phallus. The symbolic phallus is the concept of being the ultimate man, and having this is compared to having the divine gift of God.
In Gender Trouble, Judith Butler explores Freud's and Lacan's discussions of the symbolic phallus by pointing out the connection between the phallus and the penis. She writes, "The law requires conformity to its own notion of 'nature'. It gains its legitimacy through the binary and asymmetrical naturalization of bodies in which the phallus, though clearly not identical to the penis, deploys the penis as its naturalized instrument and sign" (135). In Bodies that Matter, she further explores the possibilities for the phallus in her discussion of The Lesbian Phallus. If, as she notes, Freud enumerates a set of analogies and substitutions that rhetorically affirm the fundamental transferability of the phallus from the penis elsewhere, then any number of other things might come to stand in for the phallus.
In gender studies
In cultural terms, phallocentrism is used to describe a male-centered doctrine or behavior, and sometimes refers to patriarchy, while gynocentrism is used to describe female-centered doctrine or behavior, and sometimes refers to matriarchy. Furthermore, the term yonic has often been used to describe something as vaginal and is considered the counterpart to the term phallic.
In fiction
Phallic symbolism can be perceived in a wide range of fiction and other popular culture works (in particular when analyzed in the context of psychoanalysis, although frequently that view is unconfirmed or unsanctioned by the creators). For example, in the novel The Da Vinci Code, Dan Brown describes the Eiffel Tower as a thousand-foot phallus. Some Japanese animation works like FLCL or Neon Genesis Evangelion are also considered by many to contain phallic symbolism.
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A subliminal message is a signal or message embedded in another object, designed to pass below the normal limits of perception. These messages are indiscernible to the conscious mind, but are alleged to be perceptible to the subconscious or deeper mind: for example, an image transmitted so briefly that it is only perceived subconsciously, but not otherwise noticed. Subliminal techniques have occasionally been used in advertising and propaganda; the purpose, effectiveness and frequency of such techniques is debated.
History
In 1900, Knight Dunlap, an American professor of psychology, flashed an "imperceptible shadow" to subjects while showing them a Mueller-Lyer illusion containing two lines with pointed arrows at their ends which create an illusion of different lengths. Dunlap claimed that the shadow influenced his subjects subliminally in their judgment of the lengths of the lines. Although these results were not verified, American psychologist Harry Levi Hollingworth reported in an advertising textbook that such subliminal messages could be used by advertisers.
James Vicary, a market researcher, falsely claimed in 1957 that quickly flashing messages on a movie screen had influenced people to purchase more food and drink. Vicary coined the term subliminal advertising and formed the Subliminal Projection Company based on a six-week test in which he flashed the slogans "Drink Coca-Cola" and "Eat popcorn" during a movie for 1/3000 of a second at five-second intervals. Vicary claimed that during the test, sales of popcorn and Coke in the New Jersey theater where the test was conducted increased 57.5 percent and 18.1 percent respectively.
Vicary's claims led to a public outcry, and to many conspiracy theories of governments and cults using the technique to their advantage. The practice of subliminal advertising was subsequently banned in the United Kingdom, and Australia, but not formally in the United States (actions were taken by the National Association of Broadcasters in 1958, and the Federal Communications Commission (FCC) released a policy statement in 1974, claiming that such messaging was "against the public good"). But in 1958, Vicary conducted a television test in which he flashed the message "telephone now" hundreds of times during a Canadian Broadcasting Company program, and found no increase in telephone calls. In 1962, Vicary admitted that he fabricated his claim. Efforts to replicate the results of Vicary's reports have never resulted in success.
In 1973, Wilson Bryan Key's book Subliminal Seduction claimed that subliminal techniques were widely used in advertising. The book contributed to a general climate of fear with regard to Orwellian dangers of subliminal messaging. Public concern was sufficient to cause the FCC to hold hearings in 1974, which resulted in a declaration stating that subliminal advertising was "contrary to the public interest", and in the aforementioned ban.
In 2006, a study by Dr. Johan Karremans at the University of Nijmegen suggested that subliminal messaging may have an effect when the message is goal-relevant. The study, however, was criticized for its lack of controls.
Instances
Television and video
In 1978, Wichita, Kansas TV station KAKE-TV received special permission from the police to place a subliminal message in a report on the BTK Killer in an effort to get him to turn himself in. The image, which appeared for a split second, showed a pair of glasses (an image thought to hold significance to him) and text that read "Now call the chief."  The attempt was unsuccessful, and police reported no increased volume of calls afterward, though the killer was eventually caught in 2005.
Before the re-election of French president François Mitterrand in 1988, a subliminal picture of him was mixed in the title sequence of French national television daily news show, and it appeared for several consecutive days.
The subject was also prominently featured in the 1999 film Fight Club. Pictures of the main character, Tyler Durden, flash onscreen at various points during the earlier parts of the film, before Durden is introduced. Also, Durden is shown at his job as a projectionist, splicing pornographic flash frames into a film he is showing. And a picture of a penis rapidly appears and disappears before the credits begin.
During the 2000 U.S. presidential campaign, a television ad campaigning for Republican candidate George W. Bush showed words (and parts thereof) scaling from the foreground to the background on a television screen. When the word BUREAUCRATS flashed on the screen, one frame showed only the last part, RATS. Democrats promptly asked the FCC to look into the matter, but no penalties were ever assessed in the case.
Another instance of subliminal advertising revolves around commercials for the game Husker Du? which flashed the message "Get it", in the United States and Canada, prompting a furor.
In the British alternative comedy show The Young Ones, a number of subliminal images were present in the original and repeated broadcasts. Images included a gull coming into land, a tree frog jumping through the air, and the end credits of the movie Carry On Cowboy. No explanation for these images was given and their relevance, if any, to the plot of the episodes in which they appear is debatable. Although they may fall foul of the FCC guidelines, these images do appear in the U.S. boxset DVD Every Stoopid Episode. In a December 16, 1973 episode of Columbo entitled "Double Exposure", Robert Culp's character returns to the crime scene and is incriminated by a subliminal cut that he placed in a movie.
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